![](https://sandra-peters.com/wp-content/uploads/2020/06/W_XXX2_Unitiled-111-A_CutCube-40x33.jpg 40w 33h,https://sandra-peters.com/wp-content/uploads/2020/06/W_XXX2_Unitiled-111-A_CutCube-400x333.jpg 400w 333h,https://sandra-peters.com/wp-content/uploads/2020/06/W_XXX2_Unitiled-111-A_CutCube-800x667.jpg 800w 667h,https://sandra-peters.com/wp-content/uploads/2020/06/W_XXX2_Unitiled-111-A_CutCube-1200x1000.jpg 1200w 1000h,https://sandra-peters.com/wp-content/uploads/2020/06/W_XXX2_Unitiled-111-A_CutCube-1800x1500.jpg 1800w 1500h,https://sandra-peters.com/wp-content/uploads/2020/06/W_XXX2_Unitiled-111-A_CutCube-2400x2000.jpg 2400w 2000h,https://sandra-peters.com/wp-content/uploads/2020/06/W_XXX2_Unitiled-111-A_CutCube.jpg 2500w 2083h)
This book is the result of my interest in the graphic interplay between two- and three-dimensional structures. The 11 possible ways to unfold a cube are laid out on white paper, whereas the seven cuts that make it possible to unfold a cube are printed on transparent paper and related to each of the six sides of each flattened cube. By turning pages, a flow of information is generated to make the viewer aware of the complex interplay between both type of structures.