PER/TRANS: Performing the Cube, Transforming the Cube
Bauwelt, vol. 113, no. 16, August 2022, p. 56
Article by
Bauwelt, vol. 113, no. 16, August 2022, p. 56
Article by
NYUAD Humanities Research Fellowship for the Study of the Arab World
Video
The video present, presentation, a presentation is made up of two cycles of images, opening with a series of thirty-eight different images of featherwork made by Indigineous peoples of South America.
Essay by
The NYU Abu Dhabi Research Report: The Art of Research 10, 2019, 5–7.
Article by
Eikon, no. 104, November 2018, 91.
Article by
Flux Balance / Rotating Wings, Within: Without, and Ahoy are three slide projections engaged with Rudolph Schindler’s early work in architecture (1921–26). The first, Flux Balance / Rotating Wings, a projection of Schindler’s residence in West Hollywood…
Essay by
Zabriskie Point is an exhibition project in which sixty-six rubber sculptures are to be placed in an interior space and/or an exterior one. Viewers stand within the installation, which extends like a field around them. Each of the sixty-six sculptures comprises two elements…
Essay by
Modernism has been understood as a “grand narrative,” if only because that was the neat account its theorists fashioned of it; this account proved influential. It lent credence to efforts to unearth all—and there had been a whole lot—that had been excluded or marginalized…
Essay by
Sound has been increasingly significant in Sandra Peters’s recent work. Yet it would be simplistic to call her output “sound art,” a label that, in the past twenty years, has come to designate a distinctive genre…
Essay by
In 1920, Rudolph Michael Schindler arrived in Los Angeles to supervise the design and construction of a house for Aline Barnsdall under the distant direction of its master architect, Frank Lloyd Wright, who already had his hands full with the Imperial Hotel in Tokyo. Schindler was…
Essay by
My preoccupation with Rudolph Schindler began in 2009 with the work Flux Balance / Rotating Wings (2010), which refers to the architect’s residence, located at 835 North Kings Road in West Hollywood, in a slide show (two projections with phased cross-fades)…
Essay by
Group exhibition catalogue
Interface No. 1 takes the form of a cube whose sides are formed by parallel struts set at right angles to one another based on a grid composed of 8 x 8 fields. The struts produce a diagonal segmentation of each side. Hollow spaces between the struts allow views inside the cube.
Essay by
Texte zur Kunst, no. 85, March 2012, 198–201.
Article by
Frantisek Zachoval
Video
It is one thing to purchase Sandra Peters’s record as a multiple and to play it and listen to it on a turntable; it is other thing to hear the various tracks distributed across (at least) four loudspeakers and to experience in an installation how the sound evokes…
Essay by
The installation Borrowed Window grew out of my intense engagement with the architecture of Rudolph Schindler. I developed the work in relation to the exhibition space at the Kunstsaele in Berlin but nonetheless independently of it. It is one of two window designs…
Essay by
MAK/ZINE: Applied Arts/Architecture/Design, vol. 1, no. 1, 2011: 94–95, 126–27.
Writing by
Texte zur Kunst, no. 78 (June 2010): 153–57.
Article by
The multi-family house on North Kings Road is laid out like a rotating wing. Four workrooms of equal size are anchored by a communal kitchen and flow in pairs around two garden areas meant as living rooms. The construction materials…
Essay by
Since 2007, Sandra Peters, Ken Koch, and Marc Glöde have collaborated on various art and architecture projects. The conversation published here took place in Sandra Peters’s studio in August 2010. The objective of the conversation…
Interview by
Watching a film is not the same as seeing it and wanting to know how it was made. The question is how what we see affects us. If we experience a film as particularly attractive or stimulating, then the question comes into play what can have such…
Essay by
When Jun’ichuro Tanizaki published his essay “In’ei raisan” (translated as “In Praise of Shadows”) in 1933, he detected a fundamental difference between Western and Eastern cultures. For him, his difference lay above all in terms of two aspects…
Essay by
Group exhibition catalogue
The installation Brick Fabric is directly related to the central room on the ground floor of the Villa Aichele in Lörrach. The space is well suited to exhibitions; it is rectangular with 38 square meters of floor space and measures 3.7 meters in height….
Essay by
When Peter Friese invited Sandra Peters to develop a site-specific work for the Kunstverein Ruhr in Essen, he can hardly have suspected what awaited him. For the artist’s intervention affects not only the perception…
Essay by
The art project Modifikation—stetig steigende Steine (Modification—Constantly Climbing Stones) at the Kunstverein Ruhr in Essen is an installation related to the exhibition space, in which two supporting square pillars were walled in using two distinct brick bonds…
Essay by
Sandra Peters has designed an elaborate and at the same time clear installation for the exhibition space of the Kunstverein Ruhr on Essen’s Kopstadtplatz. She clad the two columns within the space with round bricks produced and burned…
Essay by
Die Worte, die die traditionellen bildenden Künste bezeichnen – Zeichnung, Malerei, Skulptur, Architektur – , beziehen sich auf materielle Verfahren, die als konstitutiv für diese Künste angesehen wurden: das Setzen von Zeichen oder das Ziehen…
Essay by