Flux Balance / Rotating Wings begins with exterior views of the Schindler House (now the MAK Center for Art and Architecture) in West Hollywood, California, and its grounds. A cross-fade to a concrete wall with window slits then guides the viewer into the building’s interior. Based on the rotating ground plan, the projection, which runs for just under fifteen minutes, pursues a tour of Rudolph Schindler’s architecture and the gardens. Slowly fading into each other, the images instill a sense of the flow experienced by the visitor walking through the building itself. The superimposition of two views either reflects the dynamic balance of Schindler’s architecture or, where interior views blend into exterior shots, examines the materiality of the architectonic barrier. Just as the walls interact with both interior and exterior spaces by virtue of their material facture, the cross-fade marks the boundary where interior fades into exterior.
Flux Balance / Rotating Wings, 2010
2010
Projection of cross-fading images, alternating from 2 slide projectors
19 and 19 color slides, sound of the projector
15:04 minutes in duration, looped
Sandra Peters, with permission from the MAK Center for Art and Architecture, Los Angeles
Related
Envisioning Buildings: Reflecting Architecture in Contemporary Art Photography
Flux Balance / Rotating Wings (2010), Within : Without (2011), Ahoy (2013)
Flux Balance / Rotating Wings, Within: Without, and Ahoy are three slide projections engaged with Rudolph Schindler’s early work in architecture (1921–26). The first, Flux Balance / Rotating Wings, a projection of Schindler’s residence in West Hollywood…
Essay by Sandra Peters
In Dialogue: Art—Architecture / Sandra Peters—Rudolph Schindler
My preoccupation with Rudolph Schindler began in 2009 with the work Flux Balance / Rotating Wings (2010), which refers to the architect’s residence, located at 835 North Kings Road in West Hollywood, in a slide show (two projections with phased cross-fades)…
Essay by Sandra Peters